Federica Falancia & Alessandro Gulino

"PAX DOMESTICA"

In Pax Domestica, the scene designs a laboratory made of objects intended for the dump, salvaged, acted and reacted, in the attempt, through an interactive narrative, to draw new esthetic and thermo-valuable energy.
The manipulation of projected images, their movement, superimposition, ignition and reaction to sounds and the environment in real-time, is evidence to how space can be as meaningful as much as one word. The process makes more levels possible, it is an invitation to explore the subject matter in every direction. Once again, the simultaneous exploration is both partly from the spectator and partly from who performs the spontaneous narration, making the creative process of poetry the opera: the medium is the message.
From this analogue and combination of languages management, it is possible to generate and share a subject matter, a point of view, an opinion, a statement.

FEDERICA FALANCIA
It focuses on the listening of a “Trashendentale”; it’s has been performed at the Teatri di Vetro Rome, Arte Fiera OFF by Shape and Buscart Bologna, Festival Mantica by Stefano Ricci and Societas Raffaello Sanzio FC, four editions of perAspera Festival Bologna, Flash Art Fair for the Galleria Orfeo Hotel Milan, PFF-Potenza Film Festival for Noeltan Film PZ, and at the Teatri di Vita Bologna. From 2010 she has been working as the illustrator with DADA magazine.

ALESSANDRO GULINO
Graduated at the IED, Milan, Alessandro is interested in the live/performance aspect of sound in relation to images. He has performed with Alessio Bertallot and Roberto Vernetti at the Festival Elita Milan, lOOp with linkidlab Assab One Milan, Direct Digital Festival Milan, Milano Green Festival Milan, La Voce del corpo Gradus I with Màntica Accademia from Belle Arti Bologna, with Domenico Brancale Spazio Sì Bologna and Gasparelli Arte Contemporanea Fano. He has worked as sound sound designer for ARYA and Hovo Faber agencies in Milan.